Not the best picture from either, Fellini's La Strada and Nights of Cabiria make far better use of Masina's sweet and charming comic talents. Directed by Federico Fellini, Juliet of the Spirits is a 1965 Italian-French fantasy comedy-drama film starring Giulietta Masina, Sandra Milo, Valentina Cortese. There’s just nothing much that has any freshness or relevant insights in this personal fantasy film, that takes us into the head of Fellini’s actress wife Giulietta Masina who plays Julieta bored. For Fellini, she is embracing her freedom for Masina, she was descending into loneliness. It’s an overly indulgent but visually splendid piece of eye candy that hides behind its gaudy exteriors an emptiness and lack of vision. Apparently, the husband and wife fought on the set, and it is debatable as to what the ending scene means, where Juliet walks off into the distance. The parallel relationship of the fictional Juliet and Giorgio with Masina and Fellini is further complicated by the presence of the flamboyant Suzy ( Sandra Milo), who appeared in 8 1/2 as the mistress. Masina's talents are almost mocked as she seems uncomfortably placed in the realm of her husband's fantasies while playing a wronged wife. The only thing she ask for in return is honesty and loyalty. Soon after she visits a psychic seer who tells her that she must follow the sex trade in order to be happy, she meets her eccentric, sexy neighbour Suzy, who appears to be a high-class prostitute and encourages Juliet into sexual acts which make her guilty and nervous. Juliet is the most delightful and modest of wives. She is spiritual, superstitious, and naive. However, the story suffers compared to the vivid appeal of the visual spectacle. Giulietta (Giulietta Masina, Fellinis wife and La Strada star) is a somewhat frumpy, naive, timid and unfulfilled housewife. Memorable moments - like the seaside parade and a bed with a slide into a pool - show the director indulging in his gift for painting bizarre images. The movie, starring a sad-eyed Giulietta Masina who fears her husband is cheating, suggests she'd be happier if she were more like her neighbor, a buxom temptress who entertains men in a tree house. Like many husbands, he gave her the gift he really wanted for himself. Giulietta Masina plays a betrayed wife whose inability to come to terms with reality leads her along a hallucinatory journey of self. Fellini lore has it that the master made Juliet of the Spirits as a gift for his wife. Intending to reveal the fantasies and inner world of Juliet (played by Fellini's wife, Giulietta Masina), the fantastic events still seem to be streaming from Fellini himself. Cinematographer Gianni di Venanzo’s masterful use of Technicolor transforms Juliet of the Spirits, Fellini’s first color feature, into a kaleidoscope of dreams, spirits, and memories. The music was written by the band's guitarist Keith Strickland.The first Fellini film in color, Juliet of the Spirits is one of the director's lesser-known works and one with enigmatic meanings. The song's lyrics project themes of sexual liberation and awakening.Īlthough the song only features the vocals of female singers Cindy Wilson and Kate Pierson, the band has noted that Fred Schneider was a driving force behind the lyrics. The song was inspired by the film Juliet of the Spirits (Italian: Giulietta degli spiriti), a 1965 drama about an Italian housewife directed by Federico Fellini. A digital single and remix were released on September 9, 2008. It is the second single from the band's eighth full-length studio album, Funplex. " Juliet of the Spirits" is a song recorded by The B-52s.
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